BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Symphony of Southeast Texas - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://sost.org
X-WR-CALDESC:Events for Symphony of Southeast Texas
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20170312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20171105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20180311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20181104T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20190310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20191103T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181117T193000
DTEND;TZID=America/Chicago:20181117T193000
DTSTAMP:20260606T060253
CREATED:20180601T041919Z
LAST-MODIFIED:20180910T152428Z
UID:1669-1542483000-1542483000@sost.org
SUMMARY:Pastoral Germanic Settings
DESCRIPTION:Classics Series II \nWith soloist\, Tim Dueppen. \nMendelssohn: Hebrides Overture\nAlbrechtsberger: Concerto for Alto Trombone\nTim Dueppen\, alto trombone\nBeethoven: Symphony No. 6 \n  \n  \n  \n  \n  \nSponsors: \n \nGuest Artist Sponsor:\nNatalie and S.L. Greenberg\nOverview:\nOur second Classics concert takes us to the pastoral and pictorial settings in Europe from land and sea. Whether idyllic countrysides\, vast ocean and islands\, or stately architecture\, Europe\, especially Germany and Scotland\, provided impressive vistas and cultural experiences that inspired the composers featured this evening. Mendelssohn was so taken by a cave from shipside\, on the Scottish Island of Staffa\, that he jotted down two themes that were scenic settings and sent them to his sister Fanny\, a composer as well. Musical painting\, also known as tone paintings\, was one of the most significant additions to the musical soundscape used in the Romantic Period. \nJohann Georg Albrechstberger\, best known as a theorist and music teacher\, was credited for being the mentor of Beethoven and Hummel. The trombone concerto chosen by our SOST soloist\, Tim Dueppen\, is one of the first concerti ever written for this instrument during the classical period. Little is known about the scenic impressions that set the stage for this concerto\, yet upon hearing it\, one can easily think about walking through fields of flowers and meadows. The concerto is written for the Alto Trombone\, the smallest member of the trombone family. Named for its delicate sound\, it is similar to the trumpet used in the classical period. \nBeethoven had a strong love of nature and this symphony best depicts such appreciation. The sixth symphony is the first to be classified as programmatic music with specific movements expressing his impressions of fields\, streams\, country dances\, and storms with the final resolution reflecting a joyous celebration of nature in harmony with itself.
URL:https://sost.org/concert/pastoral-germanic-settings/
LOCATION:Julie Rogers Theatre for the Performing Arts\, 765 Pearl Street\, Beaumont\, 77701\, United States
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/jpeg:https://sost.org/wp-content/uploads/2018/05/Tim-Dueppen.jpg
END:VEVENT
END:VCALENDAR