Mandy Barnett’s Nashville Songbook
The “Nashville Songbook” is a collection of songs that made Nashville famous as “Music City”—some of the most influential and iconic country and pop standards ever written, originally recorded by artists as diverse as Roy Orbison, Patsy Cline, Elvis Presley, Tammy Wynette, Hank Williams, Johnny Cash, Eddy Arnold, The Everly Brothers, Brenda Lee, and more, and written by the likes of Harlan Howard, Hank Cochran, Willie Nelson, Don Gibson, Cindy Walker, etc.
Mandy Barnett’s pure, commanding voice and artistry make these songs her very own. Spend an enchanting night of timeless music with one of today’s premier vocalists with her “Nashville Songbook” show that appeals to music fans of all types—who will undoubtedly want to sing along to some of the best-loved tunes of all time! Barnett first unveiled her “Nashville Songbook” orchestral concert with the Nashville Symphony in 2016, in celebration of the Symphony’s 70th anniversary.
Since then, Barnett has teamed with the Detroit Symphony Orchestra and the Ulster Orchestra in Belfast for “Nashville Songbook” concerts. And Barnett recently made her cabaret debut at Feinstein’s/54 Below in NYC with her “Nashville Songbook” acoustic version. It’s no accident that Barnett continues to pay tribute to the “Nashville Songbook.” Barnett has a deep connection to the songs—to the artists who recorded them and the songwriters who penned them. Barnett grew up in East Tennessee and came to Nashville frequently as a child and teenager to record and perform. During that time, she met many legendary country and pop artists and songwriters. Mandy is pleased to have the opportunity to honor these icons at her “Nashville Songbook” show!
Grand Ole Opry member Mandy Barnett, one of Nashville’s enduring musical treasures who has showcased her mesmerizing voice on stages across the globe, started singing at five years-old. She has been singing since.
Barnett’s style is rooted in the classic country and pop crooning of iconic singers and timeless sounds. She delves into a song with a keen interpretative sense, getting right down to its emotional core and rendering a powerhouse performance through her “pipes of steel” (Los Angeles Times). As one record executive put it, “Mandy Barnett is a song’s best friend.”
Barnett first gained national prominence as the original star of one of the first “jukebox” musicals, Always…Patsy Cline at Nashville’s famed Ryman Auditorium. Barnett, as Cline, performs on the original cast soundtrack album and is the only actress to have played the role on the historic Ryman stage where Cline’s legend began. The Ryman shows sold out nightly and received rave reviews, and Barnett has wowed critics and audiences ever since with her concerts and recordings.
Barnett’s critically lauded albums include I’ve Got a Right to Cry, named the “Top Country Album” by Rolling Stone in the year of its release and produced by renowned Nashville Sound pioneer Owen Bradley, who also produced Cline’s most loved chart-toppers (as well as producing Loretta Lynn, Brenda Lee, and k.d. lang). And Rolling Stone continued to honor this landmark album, placing it in 2019 on two of its “best of” lists of seminal classic country works.
With a string of acclaimed country albums, such as her self-titled Warner Bros. debut, her Christmas celebration Winter Wonderland, the Cline-inspired Sweet Dreams, and I Can’t Stop Loving You: The Songs of Don Gibson (a tribute to her friend, the late Country Music Hall of Fame member), there’s no doubt Barnett has mastered that genre and holds it dear to her heart. But Barnett is not one to be musically boxed in. Her 2018 Strange Conversation album, an Americana blend of roots, pop, and R&B tunes, includes a duet with John Hiatt and a soulful rendition of Neil Sedaka’s My World Keeps Slipping Away, which Sedaka himself sent to Barnett to record. AllMusic hails Strange Conversation as the “richest record of her career: surprising, lively, and deeply felt,” and The Philadelphia Inquirer, which listed Strange Conversation among the best country/roots albums of 2018, notes that Barnett “takes a disparate collection of pop, soul, and rock numbers and makes a riveting personal statement.”
As further testament to her diversity, Barnett sang on the SpongeBob SquarePants album The Best Day Ever (sharing the spotlight with the likes of Brian Wilson, Tommy Ramone, and Flaco Jimenez) and often incorporates a Great American Songbook standard or two into her live shows. When asked about her favorite composer, Barnett’s as likely to cite Cole Porter or George Gershwin as she is Willie Nelson or Dolly Parton.
In fact, along the lines of highlighting Barnett’s range, her 2020 A Nashville Songbook, an album of reimagined, multi-generational pop and country gems produced by Fred Mollin (producer of Johnny Mathis, Kris Kristofferson, Jimmy Webb, etc.), was inspired by Barnett’s popular “Nashville Songbook” concert.
Every Star Above, Barnett’s most recent album (also produced by Mollin), celebrates and reworks selections from Billie Holiday’s Lady In Satin, with original arrangements by the late legend Sammy Nestico. Variety magazine named Every Star Above one of the best albums of 2021.
Barnett is equally as comfortable on the Grand Ole Opry and stages with symphony orchestras, having recently performed solo concerts with the Nashville Symphony, the Detroit Symphony Orchestra, and the Ulster Orchestra in Belfast highlighting her “Nashville Songbook” repertoire. Barnett made her New York City cabaret debut at Feinstein’s/54 Below in 2019 with an acoustic version of her “Nashville Songbook.”
Barnett’s music has been featured in many major film and television soundtracks (most recently, in The CW Network’s series “The Flash”), including projects starring Clint Eastwood, Tommy Lee Jones, Martin Sheen, Reese Witherspoon, Matthew Broderick, Sigourney Weaver, Ellen Burstyn, Bill Paxton, and SpongeBob SquarePants. Besides soundtrack work, Barnett often contributes tracks to other types of musical compilations, and she has appeared on “The Tonight Show,” “The Late Show,” “CBS Sunday Morning,” PBS’s “Sessions at West 54th,” PBS’s “Bluegrass Underground,” and numerous other programs.
In 2020, Barnett came full circle with her East Tennessee roots. She joined a select group of music luminaries running the gamut from Johnny Cash to Taylor Swift in being honored by the Tennessee Department of Tourist Development with a Tennessee Music Pathways marker. Erected in Barnett’s hometown, Crossville, the historic marker celebrates Barnett’s contributions in making Tennessee the “Soundtrack of America.”
Among the many publications praising Barnett’s talents, the Chicago Tribune calls Barnett “a torch singer in the grandest sense of the word.” Time, People, Billboard, Rolling Stone, and other major media have likewise extolled Barnett’s world-class vocals, “natural musicality” (People), “big, silky, expressive voice” (Billboard), and “vocal finesse” (New York Times). USA Today calls Barnett one of Nashville’s “finest classic country and torch singers,” while the Austin Chronicle notes that “when people start talking about Mandy Barnett, eventually the word ‘amazing’ gets used.”
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